This podcast features a selection of poems sent in by listeners. We have heard many talented and accomplished poets in the last year. But Poetry Non-Stop was always intended to inspire everyone to write poetry and give new poets a platform.
This month Newport poet Angela Platt sadly passed away. I knew Angela through the local Poetry Society Stanza group she ran. She welcomed a small group of poets into her home each month where we would enjoy conversation and discuss each other’s latest work in relaxed, homely atmosphere.
Angela always lived life to the full and her wealth of life experience came through in her poems. She remained active right to the end publishing her final collection Crossing the Bloodline with Cinnamon Press this year. She had hoped to record a podcast for Poetry Non-Stop but unfortunately this wasn’t possible.
It is however a pleasure to share this reading from an event I held in Cardiff back in 2016.
Alexander Rhodes found his way into the poetry scene through a combination of chance, hard work and raw talent. He has performed up and down the country and taken his award-winning verse play One Foot in the Rave to the Edinburgh Fringe and on tour. It tells the story of how he was thrown out of the Jehovah’s Witnesses and became a rave DJ.
In this podcast he talks about how he became a poet and performer in a conversation rich in anecdotes and great poetry.
For a writing prompt Alexander responded with:
Transhumanism for dummies
“I like the subtle inferences of those words, and also we are accelerating towards Superintelligent AI with very little discussion among the artistic community – so now would be a good time as any.”
You can hear how Patrick and Alexander responded to this topic, and it’s an area Alexander is researching for a forthcoming novel. Do share your own responses to the prompt here or in the comments for possible inclusion on a future podcast or on the blog.
Alexander will be touring One Foot in the Rave again when lockdown is lifted and has a new show due to start touring in 2021.
Katherine Stansfield talks about poetry and place and how language intersects the two. Her second collection, We Could Be Anywhere By Now, is inspired by her life in Wales after growing up in Cornwall. Katherine wrote the collection over seven years and it covers her experience of moving Wales, a country with its own official language, and memories of her childhood in Cornwall, an area with its own distinct history, geography and a language that is almost forgotten. From this starting point it moves to Italy and ends up in Vancouver.
For a writing exercise Katherine reads Klonjuze, a poem about a word her sister invented. She invites you to write about a family word, a word that has gained a new meaning or special significance or make up a word and write a poem to define it.
I’m putting together an ‘open mic’ episode featuring listeners’ poems and would particularly like to receive submissions inspired by this or any of the other writing prompts from previous episodes. Full details of how to submit here.
Katherine Stansfield grew up in Cornwall and now lives in Cardiff. Her poems have appeared in The North, Magma, Poetry Wales, The Interpreter’s House, And Other Poems, Butcher’s Dog, and as ‘Poem of the Week’ in The Guardian. Her debut collection, Playing House (2014), a pamphlet, All That Was Wood (2019) and her second full-length collection, We Could Be Anywhere By Now(2020), are all published by Seren. She teaches for the Open University and is a Royal Literary Fund Fellow. Katherine is also a novelist. Her latest title are The Mermaid’s Call, and Widow’s Welcome (co-written with her partner and published under the name DK Fields).
Olly Watson is a thatcher not a poet so has absolutely no clue how he has managed to convince loads of people to put him on stage. He has gigged all over the country including four solo shows at the Edinburgh Fringe, often to crowds in the tens of people, runs his own poetry night in Norwich and was a 2017 National poetry slam finalist. It is true that he’s a much better thatcher than he is a poet, but he is a damn fine thatcher.
Olly Watson introduces himself in typically modest fashion but his poetry is worth hearing along with his philosophy on being creative and happy, and praise for the various people who have influenced him.
Olly’s writing exercise is to write a new version of an existing poem. He gives Philip Larkin’s poem Sad Steps a twist and Patrick rewrites Elizabeth Bishop’s One Art from a different angle. Please share your own efforts by email or in the comments.
Bristol-based poet David Hanlon began writing poetry after recovering from depression. He was inspired by previous podcast guest Christina Thatcher to explore past experiences through poetry. Christina became his mentor and he has been widely published.
On this podcast he discusses his debut publication The Spectrum of Flight. In it he explores themes such as sexuality, homophobia, bullying, toxic masculinity, depression, love, resilience and, ultimately, recovery. Delving into deeply personal terrain, Hanlon exhumes an adolescence pummelled by name-calling that grew a beast of shame inside him and rendered him silent. In revisiting these painful experiences, and a resulting adulthood charred by the fluctuating and precarious nature of his mental health, he battles to reclaim his voice and grasp self-acceptance; to prize open the metal bars of his caged body: ‘a moulting of the internalised’, to spread his wings and soar: unleashing, and finally embracing, the spectrum of his identity.
David’s writing exercise
As David’s collection is all about flight as a metaphor for rising above and overcoming hardship write a poem about flight. Try using personal experiences as inspiration. The flight could be literal or metaphorical. It may dominate the poem or be one detail. Try free writing until your imagination grows wings, then see where it takes you.
As always we’d love to hear what you come up with. Please share via email or online using #poetrynonstop.
David Hanlon is a confessional poet from Cardiff, Wales, now living in Bristol, England. He is a Best of the Net nominee. You can find his work online in over 40 online magazines. His first chapbook Spectrum of Flight is available for purchase now at Animal Heart Press. You can follow him on twitter @DavidHanlon13
Luke Wright was a Blur fan and budding band frontman like so many of us in his teens. It was seeing Ross Sutherland and John Cooper Clarke perform poetry that set him on the path to a career in poetry. While he rejects the term performance poet he has excelled both in writing and performing. His poetry and blistering stage presence has impressed audiences around the world. As he put the finishing touches to his latest play The Remains of Logan Dankworth, Luke took time to look back on the first 20 years of his career sharing anecdotes and insights which are sure to inspire all poets, writers and performers. He also shares a few new poems.
For a writing prompt Luke challenges you to write a poem in 15 minutes:
Pick a word/phrase at random from a book. You don’t have to go with the first one you pick, but don’t spend all night on it, have three goes perhaps. Once you have your word or phrase set a clock for 15 minutes. In that time write a complete first draft of a poem.
You can hear one of Luke’s poems that started from this speedwriting technique and find out how far Patrick got writing a poem in 15 minutes.
As always please share your poems which maybe featured on the blog or podcast. You can send them here.
Poetry Non-Stop will be back next week with Leanne Moden. Leanne is based in Nottingham but this month she is in Edinburgh performing her debut poetry show Skip Skip Skip from August 17th-25th at the Banshee Labyrinth. Tune in next week to hear her talking about how she became a goth in rural Norfolk in 2002 and used the experience to write a show about finding your identity through music and discovering your tribe.
I’m currently recording and editing more episodes which will be coming out soon. They will be going out every two weeks to allow people more time to listen to them and respond to the writing prompts. On the weeks in between I might post bonus podcasts. These will be shorter and may include additional material from the main podcasts or readings on poems sent in response to previous prompts. I’d also like to do some podcasts featuring poets talking about an individual poem and the story behind how they wrote it. If you have a poem that has an interesting story or writing process behind it then please email with a copy of the poem and up to 100 words on why it should be featured. The poem can be previously published as long as you have permission to share it on the blog and podcast.
Submissions are still open for poems written in response to prompts from the first series. Details here.
I closed roads to cars leading into my heart and have found more space for couples to stroll and kids to mark the streets with chalk birds and lions. The number of people whispering secrets has also increased three-fold, but that may be from more people meeting without needing to not pause. I may begin closing my heart’s skies to plane traffic, just because I’d like to hear the sun’s motors whirring again.