Pete Goodrum, poet and lifelong resident of Norwich, reads poems inspired by his city and invites listeners to write about places in their neighbourhood or hometown. He also talks about his long and varied writing career and what he has learnt along the way.
Pete’s writing from a different angle exercise
Pete says: “There’s the old adage that you should ‘write what know’ but I’m saying try to write a poem about somewhere you know but looked at in a different way. From a different angle. My ‘Market’ has everyday details amplified and the awnings become a duvet as it sleeps. My ‘City Hall’ is literally looking at the place from a different angle – the back – and in doing so allows the rear view to become not only a new look at the place but a metaphor for the gap between civic ceremony and governance, and the grim realities of ordinary life. It’s not a poem of dissatisfaction or rebellion – it’s observation.
“So, go to a place you know and create a poem about it viewed from a different angle, seen in another perspective. Lift it out of its setting to make a point beyond pure description.”
You can hear how Patrick used Google Maps to write an original poem about his neighbourhood on the podcast, along with Pete’s poems for inspiration.
Please send your poems here for the chance to be featured on the blog or podcast. We look forward to seeing what you’ve written.
You can find out more about Pete’s work and various publications here.
Books by many of the poets featured on the podcast are available from the Poetry Non-Stop bookshop here. All books purchased via this link help to raise money to keep this podcast going.
I closed roads to cars leading into my heart and have found more space for couples to stroll and kids to mark the streets with chalk birds and lions. The number of people whispering secrets has also increased three-fold, but that may be from more people meeting without needing to not pause. I may begin closing my heart’s skies to plane traffic, just because I’d like to hear the sun’s motors whirring again.
The final guest of the first series of the Poetry Non-Stop podcast is Alex Russell, an imaginative and often unpredictable poet and performer in Norwich. He will be discussing some of his innovative works and how you can use poetry to make a living. Here he is in action at The Bird Cage in Norwich.
This week’s guest is Avouleance who talks about creativity and living with autism. This is a poem they wrote in about 20 minutes during a writing group I run. If you’re a writer based in or near Norwich you can get details here. You can find out more about Avouleance here.
Nostalgia
There’s a better me Full of energy That I’ve abandoned Not intentionally but automatically Now I’m less bright eyed Less blind But I’d leave all I’ve learnt behind To be a fraction as kind Or inclined to look up.
In this episode Jenny Pagdin talks about her experiences of post-natal psychosis which she explores in her pamphlet Caldbeck. She discusses how poetry can convey the inexpressible and reads a few poems. She also sets an exercise for writing a gratitude poem.
Jenny’s writing exercise
“Gratitude can come in many forms, some purer than others, including appreciation, relief, obligation, awe and intimacy. You may want to add to this list. The exercise I have set out below is designed to be taken slowly.”
1) For three days, keep a gratitude diary. Each day, list at least three things you feel grateful for. It doesn’t matter who you’re grateful to, this isn’t a religious practice and doesn’t require any beliefs. Research shows that noting down what we’re grateful for makes us happier and is not a bad habit to follow every now and then.
2) Read some odes (praise poems) like Keats’s Ode on a Grecian Urn or Pablo Neruda’s Ode to a Large Tuna in the Market.
3) Think of the last time something made you happy – can you feel grateful to anyone (or to the universe at large) for this? If possible, talk with a friend about what made you happy.
4) When you feel ready, start mapping out a gratitude map using pen and paper (think spider diagram). Drawing is fine too.
5) Wait until the moment takes you for this stage – I don’t think you can write a gratitude poem without being genuinely grateful. When you’re ready, use your map to develop a poem, letting the thing(s) you are grateful for lead the form you use. Some tricks that have helped me in the past are to think about odes, hymns and list poems – but you may have different ideas. Good luck!
When you have written a poem please share for the chance to be published on the website or featured on the podcast. You can send poems by email here, share them in the comments section of this post or share them on social media using #poetrynonstop.
Jenny Pagdin
Born in High Wycombe to a British-Lebanese family, Jenny Pagdin studied BA English at Oxford University and MA Creative Writing at the University of East Anglia. Her pamphlet Caldbeck, which tells the story of her postnatal psychosis, was published by Eyewear in 2017, shortlisted for the Mslexia pamphlet competition and listed by the Poetry Book Society. John Redmond said that “After reading these inward, psychologically acute poems, the reader is likely to be haunted for some time.” Pagdin won the Café Writers Norfolk prize 2017 (“lovely dark stuff!” – Liz Berry) and was longlisted for the Rebecca Swift Foundation Women’s Poetry Prize 2018. In addition to mental health, Pagdin is drawn to metaphysical, parenting and relationship themes. Her work is often concerned with extreme or indescribable states, Hopkins’ “no-man-fathomed” mountains in the mind. She is working on a new collection to include supernatural themes and has an interest in the meeting points between shared and other ‘realities’.
She is an active member of the Norwich Stanza and regularly gives readings locally and in London. As well as writing poetry, Pagdin is a fundraiser, mother, wife, Reiki student and occasional crafter.
Martin Figura was, and still is, a poet of great wit and humour but beneath the laughter lay memories of a troubled childhood and a dark secret that very few people knew until he started to write about it.
On this episode Martin talks about how writing about the death of his mother at the hands of his father was the beginning of a journey that changed him as a writer. The result was some of his strongest work in the acclaimed collection and show Whistle.
Martin Figura and his mother in a photo taken by his father described in the poem Glove
During a wide ranging discussion covering art, literature, photography and social history, Martin explains how he approached writing about this tragic episode using metaphor to reflect feelings and personal experiences.
Martin’s writing exercise: Think of an event that you’ve found too challenging to write about, or have simply not successfully written from. Come up with an abstract noun for the emotion the event evokes in you, such as blame, shame, anger, joy etc. Then make it concrete, a thing or creature or person and write about it, using some detail from your event.
On the podcast Martin reads the poem Sloth by Stephen Dobyns which is based on this technique and Patrick responds with a poem which uses flamingos to talk about feelings of isolation and struggling to fit in.
Please send responses via email, post in the comments section below or share on social media with the hashtag #poetrynonstop.
This week poet and film studies and creative writing lecturer Sue Burge talks about her love of film and poetry and where the two meet. She shares some of her poems which blend classic film imagery, scenes from real life and her vivid imagination and sets a writing exercise that encourages you to take the director’s chair as you look back on your life.
Sue has a busy schedule of writing workshops and courses. You can find out more about these and her two poetry collections on her website www.sueburge.uk
Sue’s writing exercise:
Choose a scene/incident from your life and write about it in black and white. Give it a vintage film feel. This is your first stanza, it can be as long or short as you like. For your second stanza, remake the incident/scene in colour – make the language/tone different from the first part, give it a more contemporary feel. You could, for example, do the black and white scene from a child’s point of view and the colour scene from an adult point of view with the benefit of hindsight.
Please send responses via email, post in the comments section below or share on social media with the hashtag #poetrynonstop
Sue Burge lives in North Norfolk. Her poems have appeared in a wide range of publications such as Mslexia, Orbis, Brittle Star, The LampeterReview, Magma, The French Literary Review, The North,Stride and Ink, Sweat and Tears. Her debut pamphlet, Lumière, was published by Hedgehog Press in 2018 and her first collection, In the Kingdom of Shadows, was published by Live Canon, also in 2018. Sue has undertaken a variety of poetry commissions and has performed and read her work extensively. As well as face-to-face courses locally she runs a very successful writing course by e-mail subscription, The Writing Cloud. More information at http://www.sueburge.uk
Sue Burge is this week’s podcast guest talking about her love of poetry and cinema and where the two meet. This is a key poem Sue’s debut collection In the Kingdom of Shadows.
Gothic
A girl, her dress a blank canvas for long-fingered shadowstains;
a bed, draped, tucked with
the coolness of scented cotton –
under, decay blooming
like a ripening bruise.
A man, noctambulant,
walks a tightrope between two lives.
Shadows, forged by the lamplighter,
undulate like a swirled cloak,
finding the cracks of a world
stitched together too many times.
A garden, walls smooth and straight as a tomb,
the earth beneath sown with broken fingernails.
And me, caught in the projector’s dancing beam,
lips parted, wanting it
dark, dark, dark.
People need help. If someone comes and knocks on your door you try to help them… and people are knocking at the door of Europe.
In the summer of 2016 Jamie Osborn, who had just graduated from Cambridge University, went to the Greek Island Chios to work as a volunteer on a refugee camp. He found people not only lacking possessions and a home but basic respect and dignity. On this episode he talks about how he and other volunteers tried to give them their dignity back and shares some of the poems that came out of that experience.
He also challenges listeners to write a poem about borders and intimacy. Patrick shares his response inspired by an item on This American Life.
Please share your own responses to the prompt by leaving a comment on this post, emailing via the contact form or sharing on social media with the hashtag #poetrynonstop. Poems maybe published online or featured on future podcasts.
For more advice and resources on writing poetry and to support this podcast please consider purchasing Patrick’s book Poetry Non-Stop
Jamie Osborn is a poet and translator whose work has appeared in Carcanet’s New Poetries VII (April 2018) and in literary magazines including PN Review, the TLS, Poetry London, Blackbox Manifold, Perverse and elsewhere. His translations, together with Nineb Lamassu, of poems by Assyrian Iraqi refugees featured in the “Great Flight” issue of Modern Poetry in Translation and he is now a board member of MPT. He now lives in Norwich, where he works as a charity press officer and is a climate activist. Facebook | Twitter
You can read more about Jamie’s time in Chios and more poems on the Carcanet blog.
Jamie recommends the following poems and publications:
Poetry Non-Stop 