Episode 20: Olly Watson – Start writing and let it go

Olly Watson is a thatcher not a poet so has absolutely no clue how he has managed to convince loads of people to put him on stage. He has gigged all over the country including four solo shows at the Edinburgh Fringe, often to crowds in the tens of people, runs his own poetry night in Norwich and was a 2017 National poetry slam finalist. It is true that he’s a much better thatcher than he is a poet, but he is a damn fine thatcher.

Olly Watson introduces himself in typically modest fashion but his poetry is worth hearing along with his philosophy on being creative and happy, and praise for the various people who have influenced him.

Olly’s writing exercise is to write a new version of an existing poem. He gives Philip Larkin’s poem Sad Steps a twist and Patrick rewrites Elizabeth Bishop’s One Art from a different angle. Please share your own efforts by email or in the comments.

Piers Harrison-Reid – What is a Norwich?

Forthcoming guest Piers Harrison-Reid pays homage to his hometown in this video. The upcoming poet from Norwich draws on his experiences as a nurse to write poems that capture the joy, hope, grief and fragility of human life. Catch him on the podcast later this week as he shares some poems, talks about what inspires him and how he is giving a voice to others working in the NHS.

Episode 8: Julia Webb – Threat

The biographical and surreal meet in Julia Webb’s second collection Threat. She shares a few poems and discusses the experiences which inspired them.

She also sets a writing exercise on memories:

Joe Brainard wrote a book length poem called ‘I Remember’ (you can read an extract here) where each line starts with “I remember”. This has been copied a lot but is a good way to free you up and get memories flowing. Start each line with “I remember” and just keep going – thoughts that come up can be from any time in your life and don’t have to be related to one another. 

In the second part of the exercise take a memory and expand on it – don’t be precious about the actual details – it is OK to change things if it makes the poem better. Sometimes you might have to have two or three goes at writing about the same subject. One way to be more detached from your subject matter is to use the titles of people you are writing about rather than their names – for example: my mother, your mother, father, brother, uncle etc.

Please send your responses in here or share on social media using #poetrynonstop.

Julia Webb grew up in Thetford, a small town in rural Norfolk. She has a BA in Creative Writing from Norwich University College of the Arts and an MA (poetry) from the University of East Anglia. She lives in Norwich where she teaches creative writing and is a poetry editor for Lighthouse, a journal for new writing.  In 2011 she won the Poetry Society’s Stanza competition. Her poem ‘Sisters’ was highly commended in the 2016 Forward Prize. In 2016 she was writer in residence on Norwich Market. Her first collection, Bird Sisters, was published by Nine Arches Press in 2016.

Threat and Julia’s first collection Bird Sisters are available here.

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