Episode 39: Pete Goodrum – A Point of View

Pete Goodrum, poet and lifelong resident of Norwich, reads poems inspired by his city and invites listeners to write about places in their neighbourhood or hometown. 
He also talks about his long and varied writing career and what he has learnt along the way.

Pete’s writing from a different angle exercise

Pete says: “There’s the old adage that you should ‘write what know’ but I’m saying try to write a poem about somewhere you know but looked at in a different way. From a different angle. My ‘Market’ has everyday details amplified and the awnings become a duvet as it sleeps. My ‘City Hall’ is literally looking at the place from a different angle – the back – and in doing so allows the rear view to become not only a new look at the place but a metaphor for the gap between civic ceremony and governance, and the grim realities of ordinary life. It’s not a poem of dissatisfaction or rebellion – it’s observation.

“So, go to a place you know and  create a poem about it viewed  from a different angle, seen in another perspective. Lift it out of its setting to make a point beyond pure description.”

You can hear how Patrick used Google Maps to write an original poem about his neighbourhood on the podcast, along with Pete’s poems for inspiration.

Please send your poems here for the chance to be featured on the blog or podcast. We look forward to seeing what you’ve written.

You can find out more about Pete’s work and various publications here.

Books by many of the poets featured on the podcast are available from the Poetry Non-Stop bookshop here. All books purchased via this link help to raise money to keep this podcast going.

Episode 38: Beth Hartley – Make Space for Poetry

Picture: Ken Cumberlidge

Beth Hartley shares poems from her debut collection, What if Stars, published by Allographic. She discusses the role poetry has had in her life and the joys of bringing her first book into the world. She also shows us how we can find poetry in our most familiar surroundings.

Beth’s Writing at Home exercise

Go into a room in your house or garden if you have one. Be still in it and allow it to talk to you. What is it giving your different senses? What is it telling you? Is it telling you about something that it likes or that needs doing? Hold yourself open to the influences of your place – even and especially as these places are the things you see every day. We tend to neglect what we see most often. Set a timer for a free write – then afterward, go back into that free write and work from that.

Beth shares her poem Before on the podcast, written using this technique. She says: “Before” is something I wrote about being up earlier than the rest of my household, a time I often use for writing, or planning, to be still. Senses also heighten memory and experiences and it’s good to explore those things in our work. I often use poetry to process experiences – like this, or sometimes dreams or performances. It helps my brain to make sense of all the things and also to remember things.

As always please share what you come up with for a chance to feature on the blog or podcast. You can submit poems here.

For more information on Beth Hartley and to buy her book visit: linktr.ee/PoetryBees

Books by many of the poets featured on the podcast are available from the Poetry Non-Stop bookshop here. All books purchased via this link help to raise money to keep this podcast going.

Episode 37: Ken Cumberlidge – Abracadabra

Many budding poets are put off by forms with complicated rules restricting what they want to say and how they can say it. In this episode Ken Cumberlidge explains that working within rules and limitations can give your creativity a boost and help you find new ideas and original ways of expressing yourself. The more restrictions you have the better!

Ken also talks about how he discovered poetry at a young age with the help of a wonderful English teacher. Performing at poetry nights in Liverpool in his teens helped him overcome a stammer and he went on to have a long career as an actor. It’s an inspiring story for anyone interested in writing or performing.

Ken’s abracadabra and bibliomancy exercise

While listening to the podcast and doing the exercise you will find it useful to refer to Ken’s poem here.

The abracadabra form was created by another former podcast guest Fay Roberts. It is based on the abracadabra sigel with the first line having 11 syllables (one for each letter) then going down by one each time to end with a single syllable on the last line.

But this restriction alone is not enough for Ken who combines it with with another technique for generating material to work with – bibliomancy. This involves randomly selecting passages from two different books (non-fiction works best) and using them as a starting point for a poem. As a further restriction Ken limits himself only to the words in the two passages to construct his poem with all its syllable restrictions.

Try to write an abracadabra poem. You can use as many of the other limitations as you want. It is certainly a good idea to give yourself a few rules for the first draft or two. If, as the poem develops, you feel it would work better with other words or a different form that’s OK. The rules are there to inspire and challenge, not hold you back.

The link above includes Ken’s poem and the source texts with the words and phrases highlighted that were used in the poem.

As always please send in your poems. It would be great to share them on the podcast or blog. You can submit poems here. Thanks to everyone who submitted great supermarket poems in response to John Osborne’s prompt on the last podcast.

You can find more of Ken’s poetry on Soundcloud and Youtube via the links here. His final poem in the podcast “Contactless” was first published in June 2021, in Issue 7 of “As Above So Below”, edited by Bethany Rivers. You can read it here.

Books by many of the poets featured on the podcast are available from the Poetry Non-Stop bookshop here. All books purchased via this link help to raise money to keep this podcast going.

Episode 36: John Osborne – Poetry in the supermarket

Picture: Katie Pope

Everything’s in the supermarket so you can write about death and sadness and love and romance.

John Osborne

Norwich-based poet John Osborne reads from his latest collection A Supermarket Love Story and discusses the potential for poetry in the setting of the stores we take for granted.

John’s supermarket writing prompt

Choose an aisle in a supermarket and write a poem about it OR write a poem with the title ‘A Supermarket Just Before Closing’.

Tips:

  • Visit a supermarket you don’t usually go to or go at an unusual time
  • Make a list of words associated with supermarkets
  • Write down memories, observations and other experiences associated with supermarkets
  • Think about how these experiences relate to other parts of your life

We’d love to read any poems you write so please send them in here for a chance to be featured on the blog or podcast.

John Osborne writes stories, poems and scripts. His poetry has been broadcast on Radio 1, Radio 3, Radio 4, BBC 6Music, XFM and Soho Radio. You can purchase A Supermarket Love Story here with illustrations by Katie Pope

http://www.johnosbornewriter.com

Episode 34: Michelle Marie Jacquot – Poetry in the Digital World

LA-based poet Michelle Marie Jacquot’s new pamphlet DETERIORATE, which criticizes and questions the digital age and the effects our modern world has had on humanity. She reads from this and her other collections and discusses her no-nonsense DIY approach to publishing and promotion.

Michelle’s predictive text poetry writing exercise

Has technology ever corrected something you meant to write into something completely different? What did it change? How did you react, feel? Maybe not even a word, perhaps a name? Someone you love to someone you hate? Did it make you angry? Make you laugh? Or was it a silly word? One you never use? Did it change the meaning entirely? Maybe it just made you annoyed at your phone? Who knows. Think on one time autocorrect has changed your words without permission. If it hasn’t, congratulate yourself and write about being precise or lucky, or both.

Please share whatever poems the exercise inspires. Submissions can be sent here for possible inclusion on the blog or future episodes.

For more information about Michelle Marie Jacquot and to buy her books visit www.michellemariejacquot.com

Books by many of the poets featured on the podcast can be purchased via the Poetry Non-Stop bookshop here. All books purchased via this link help to raise money to keep this podcast going.

Episode 30: Ella Duffy – Mythology

Selkies, Medusa, moss children and other myths and legends inspire poems in this podcast with Manchester-based poet Ella Duffy. Ella reads from her books New Hunger and Rootstalk and discusses how she finds inspiration in mythology and the natural world. She also invites listeners to write a poem inspired by myths, fairy tales and legends.

Ella’s Mythology writing exercise

For this writing exercise, you’ll begin your own reimagining of an existing story, from either mythology or fairytale, folklore or legend. It can be interesting to think about your reimagining as a form of translation; some aspects of the story will remain the same, while others may shift entirely.

Listen to the podcast for more ideas on how to approach this exercise and Patrick’s response which imagines Medusa’s head being kept in a Marks and Spencer bag for life.

As always please share your poems. They could be featured on the blog or podcast. Please send them here.

To read more of Ella’s poems and buy her books see her website elladuffy.co.uk.

You can also buy New Hunger and other books by podcast guests via the Poetry Non-Stop bookshop here. All books purchased via this link help to raise money to keep this podcast going.

Episode 27: Ramona Herdman – Drafting and redrafting

Ramona Herdman

Any serious poet knows the importance of redrafting. A poem can go through numerous drafts and change beyond recognition from the first jottings in a notebook to final published piece. It is also a difficult practice which takes time and effort to develop. It can be hard to see how to improve poems which either seem to be finished or failed attempts.

On this podcast Ramona Herdman talks about how her poem ‘My name is Legion: for we are many’ started off as drafts of two quite different poems. It went on to win the Hamish Canham Prize in 2017.

She also shares some poems from her latest pamphlet ‘A warm and snouting thing’, published by The Emma Press in September 2019 and shortlisted for the 2020 East Anglian Book Awards.

Ramona’s exercise for revisiting draft poems

Choose two existing draft poems that aren’t quite working – find one where you like something about the form and another where you like something about the content/subject matter and try to combine them somehow into one. There should be an element of surprise that they’re not both about the same thing, but there is some way of making the two subjects speak to each other.

Alternatively, if there is a subject you’ve been trying to write about for a while but haven’t got where you wanted, review your existing draft poems on that subject, note down a few of the best lines/phrases/images and then try to combine them to make a new poem. Or take a set form (a sonnet, rhyming quatrains, a ballad) and write a completely new poem on the subject, but being led by the form.

This podcast regularly invites you to try writing new poems so this is a great opportunity to develop something you have already written. Maybe there is a poem you started in response to one of the other prompts which you can develop using these ideas. If you don’t have any draft poems take some of the poems you think are finished and play around with them. Whatever comes up, you’ll still have the previous versions so you’ve got nothing to lose.

As always, do share your poems. They could be featured on the blog or a future podcast. You can send them here.

To learn more about Ramona and buy her books visit ramonaherdman.wordpress.com

Episode 12: Wesley Freeman Smith – The Art of Collaboration

Picture: Jules Leaño

Writing can be a lonely business but collaboration has always been at the heart of Wesley Freeman Smith’s practice. The Cambridge-based writer and artist began promoting events which brought together musicians, poets and visual artists in churches, basements and other grand and modest venues to perform, collaborate and share their creativity side-by-side.
From promoting others work he has stepped up to the mic himself on his latest project Catching Shadows a collaboration between himself and musician Theresa Elflein. Their debut release Fuse features Wesley’s abstract poetry set to music provided by guest collaborator Anna Schuschu.
Wesley talks about his latest project and working with artists across borders – artistic and geographical – to create art which is more than the sum of its parts.

Wesley also invites you to write a poem in response to one or more of these images he sourced for a ghost story writing project. You can hear a couple of his poems and one written by Patrick. Please share your own on social media using #poetrynonstop or via email here.

If you have enjoyed this podcast please help fund more episodes by donating via Patreon or Paypal. All contributions gratefully received.

Episode 11: Luke Wright – 20 years on stage

Luke Wright Picture: Andrew Florides

Luke Wright was a Blur fan and budding band frontman like so many of us in his teens. It was seeing Ross Sutherland and John Cooper Clarke perform poetry that set him on the path to a career in poetry. While he rejects the term performance poet he has excelled both in writing and performing. His poetry and blistering stage presence has impressed audiences around the world. As he put the finishing touches to his latest play The Remains of Logan Dankworth, Luke took time to look back on the first 20 years of his career sharing anecdotes and insights which are sure to inspire all poets, writers and performers. He also shares a few new poems.

For a writing prompt Luke challenges you to write a poem in 15 minutes:

Pick a word/phrase at random from a book. You don’t have to go with the first one you pick, but don’t spend all night on it, have three goes perhaps. Once you have your word or phrase set a clock for 15 minutes. In that time write a complete first draft of a poem. 

You can hear one of Luke’s poems that started from this speedwriting technique and find out how far Patrick got writing a poem in 15 minutes.

As always please share your poems which maybe featured on the blog or podcast. You can send them here.

www.lukewright.co.uk

If you have enjoyed this podcast please help fund more episodes by donating via Patreon or Paypal. All contributions gratefully received.