On this episode poet and musician Pete Bearder talks about documenting the spoken word scene that he’s been part of for decades in his book Stage Invasion published by Outspoken Press. It has been described by Ian McMillan as “a manifesto, party invitation, learned tome, history of ideas and soundtrack for exciting and scary times”. Pete talks about his life as a spoken word artist and what he has learnt about the scene through documenting it.
He also challenges listeners to write a neologism poem – that is poetry using made up words. He shares a piece of his own and Patrick takes up the challenge by translating one of his poems into made up language.
As always do share your own neologism poems on social media using #poetrynonstop or by email.
You can find out more about Pete here and buy the book here.
This week musician and performance poet Pete Bearder joins me on the podcast to discuss his book on spoken word and performance poetry Stage Invasion.
Described by Ian McMillan as “a manifesto, party invitation, learned tome, history of ideas and soundtrack for exciting and scary times” and “the book we’ve all been waiting for”, Stage Invasion draws on academic scholarship, interviews with key figures in UK spoken word, and Bearder’s own decades of experience, to take us on a tour of our long ‘oral tradition’ from Homer to hip hop and the global poetic movements that have shaped history, exploring the artistry and unexpected science at work in the communal dynamics of live literature, and examining the role performance poetry can play in politics and protest.
Rob Auton talks about how he finds poetry in unexpected places. Writing about the everyday, finding beauty in the mundane keeps his fascination with the world alive. He talks about the shows he has written on subjects including water, the sky, sleep and yellow. He also offers an exercise on writing poetry inspired by everyday objects.
Rob is currently touring the Time show – his eighth consecutive Edinburgh Fringe show and is also developing this year’s Fringe show about crowds. On top of that he is releasing a daily podcast where you can hear poems, monologues and stories each day in his inimitable style.
Join Rob as he shares a few of his poems and offers the following exercise to help you find poetry somewhere you might not think of looking:
Go to Argos, open a catalogue and point to an item at random them write a poem about it. Try to write something however uninspiring it may seem. Free write, try word association think of memories, places, people and activities that the item makes you think of. Let your mind wonder and see where it takes you. Then share your poem on social media using #poetrynonstop or by email and lets see if between us we can create a complete Argos catalogue of poems. You can hear Patrick’s response in the form of a riddle on the podcast.
Performance poet and comedian Rob Auton finds poetry in the small, the mundane and the everyday things we take for granted. He will be talking about his writing and performances and the shows he has been performing at the Edinburgh Fringe and nationwide for the last eight years. You can also hear his daily musings on the aptly named Rob Auton Daily Podcast.
Cambridge-based poet Fay Roberts was recently appointed poet in residence at Peterborough Market for the Syntax Poetry Festival. They became intimately acquainted with the people and history of this place they came to see as still being at the heart of the city if sometimes undervalued. The experience has spurred them on to bring poetry to a wider audience and to places it doesn’t usually belong especially in Cambridge where they have been the driving force behind a thriving poetry and spoken word scene for many years.
Fay talks about their experiences of the residency and shares some of the poems they wrote. They also offer a writing exercise to get anyone writing a poem about anything – or lemons in the first instance.
Set a timer for two minutes and write as many words and phrases you associate with the word Lemons. There are no “correct” associations! And if your mind springs off into other associations from those associated words and phrases, write those down as well.
Review your list/ paragraph/ three words/ scrawl. Anything else to add to your toolkit? Take one minute maximum to do that.
Set a timer for ten minutes and start writing, using the words and phrases in your toolkit. Let yourself write freely, just as you did during the toolkit section – this is your poem, and there’s no “correct” way for it to be. Be sure to check your timer occasionally so that you know when it’s time to start rounding off what you’re writing
Review your poem/ microfiction/ anecdote/ epic ode to citrus. Does it need anything to finish it off, or is it done now? Take two minutes maximum to roughly polish, chop, and round it off.
Congratulations! You have written a new piece. It took you fifteen minutes and it’s pretty damned good, if you say so yourself. And you now have a simple technique to get you started when you have something specific that you want/ need to write about.
So, when life gives you lemons write poetry! You can hear how Patrick got on at the end of the podcast and as always please share your own responses by email here or on social media using #poetrynonstop.
This week I welcome poet, storyteller, musician and registered logophile Fay Roberts to the podcast. Fay is at the heart of the poetry and spoken word scene in Cambridge, endlessly creating opportunities for poets to perform and publish their work. They are also a prolific writer and performer with strong reputation on the national scene having performed at Edinburgh Fringe, Glastonbury Festival and Hammer and Tongue National Finals to name a few.
Enjoy this performance blending words and music before tuning into the podcast to hear Fay talk about their latest projects and read some new poems.
Writing can be a lonely business but collaboration has always been at the heart of Wesley Freeman Smith’s practice. The Cambridge-based writer and artist began promoting events which brought together musicians, poets and visual artists in churches, basements and other grand and modest venues to perform, collaborate and share their creativity side-by-side. From promoting others work he has stepped up to the mic himself on his latest project Catching Shadows a collaboration between himself and musician Theresa Elflein. Their debut release Fuse features Wesley’s abstract poetry set to music provided by guest collaborator Anna Schuschu. Wesley talks about his latest project and working with artists across borders – artistic and geographical – to create art which is more than the sum of its parts.
Wesley also invites you to write a poem in response to one or more of these images he sourced for a ghost story writing project. You can hear a couple of his poems and one written by Patrick. Please share your own on social media using #poetrynonstop or via email here.
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